62M is a 41-unit residential development located at the edge of downtown Winnipeg and the Red River. Compressed between a freeway and the backs of neighbouring properties, the site was considered undesirable due to restricted views and a lack of street frontage. Lifted up on 35’ high stilts, the project overcomes the limitations of its surroundings with an iconic form and unprecedented sightlines.

The three storey, circular building is both spatially efficient and cost-effective. As a whole, the 360 degree plan provides the widest possible perimeter for glass with the smallest amount of exterior envelope to construct. In addition, all units have identical, pie-shaped layouts that simplify assembly. Each 610 s.f. suite is arranged so that the entry and utility spaces occupy the narrow end, closest to the circulation core. This configuration frees the remaining square footage for a flexible, open living area that culminates in an expansive wall of floor to ceiling glass.

At ground level, a forest of columns fills the site; some of these stilts support the building while others function as light standards to illuminate the parking area. Their thinness becomes a clear counterpoint to the thicker ring of housing, emphasizing the weight and mass of the building floating above.

Photography: James Brittain and James Florio

Awards: Prairie Design Award of Merit 2022, AZ Awards Award of Merit Multi-Family Residential 2019, World Architecture Festival Shortlist 2014

Visit the Penthouse today at padwinnipeg.com.

The Crossroads Garden Shed demonstrates the value and capacity of architecture to transform communities with even the smallest of briefs. Intended to supply a growing neighbourhood with a simple storage structure for gardening tools and outdoor furniture, the original vision shifted drastically when re-approached as a unique opportunity to enhance the pedestrian realm. This discovery led to a rigorous design process, developing the project into much more than initially imagined, and activating the area for residents and visitors.

Inherently stable and waterproof structures, three 8 foot x 10 foot shipping containers establish the base structure. Selected for their utilitarian nature and in response to the brief and budget, these were placed to create intimate spaces in-between, while the overall structure acts as a threshold between the street, gardens, and play area. One container is a tool shed, the initial programme requirement, while the remaining two provide additional storage and programmable space, critical to evolving the structure into a civic amenity.

The containers are composed of weathering steel, making it a natural choice for the whole structure. Their corrugated geometry is ’multiplied’ and ’stretched’ through layering weathered steel plates and expanded metal mesh, consequently softening the structure’s appearance. An oblong grid of hexagonal weathered steel shapes create a domed surface to gather within; steel honeycombs open skyward in vertical flues and, connected by an overhead trellis, dapple the ground below with light.

The final design is the product of a formulaic analysis which optimizes both budget and design for the largest civic impact possible. The project focus is not only its merits as an object but the ability of the spaces between to foster community. The re-imagined SHED is a civic attraction that lends itself to further programming as the area grows and includes areas for work, shelter and relaxation.

Photography: Images 1 and 11 courtesy of CMLC.

Awards: 2018 Architizer A+ | +Urban Transformation; 2017 Calgary Mayor’s Urban Design Award; 2016 Platinum American Architecture Prize

In Mexico City’s metropolitan area, with a population of more than 23 million people, 4.5 million daily commuters navigate complex road networks, frequent traffic jams, public protests and parking shortages. The street—the prime public space—is the setting for all such friction. There, “viene viene” —entrepreneurs who function outside of government oversight —bribe the local police, use common painter’s buckets to claim a piece of the street, and charge hopeful drivers looking for a parking spot with an additional fee in exchange for access to their illegal stall.

One Bucket at a Time was inspired by this hijacking of public (parking) space and uses common painter’s buckets as the building blocks for an interactive pavilion. Connecting the buckets via a grid of ropes, the installation is a malleable surface that the public is encouraged to freely explore. The surface can be rolled, pulled together or up to a point or along a line taking on different forms. People can sit, run, play, stand, lounge, and participate in the act of taking over the public realm. In situ for a three day period, the installation will come down gradually, released from the ropes and absorbed by the city. By using buckets —a symbol of holding the public space hostage, we are highlighting and questioning this pervasive condition, and also empowering people of Mexico City to reclaim ownership of their public space, one bucket at a time.

Photography: Jaime Navarro and Mortiz Bernoully Photography

Awards: 2018 ArchDaily Building of the Year nominee; 2017 IDA Design Awards | Arch Pavilions; 2017 Glocal Premio Noldi Schreck finalist; 2017 Interior Design Installation BoY Award

Situated on a typical suburban street in a bedroom community just north of Winnipeg, the Parallelogram House stands in quiet and refined contrast to its stucco-clad neighbours. While the clients desired a one-storey layout for their young family, they also wanted to ensure that all of the bedrooms had views of the front or backyard. By skewing the floor plan into a parallelogram, the window area was greatly increased without increasing the footprint, opening the home up to a panoramic view of the trees and preserving the site’s southern exposure within the required setbacks.

The house is clad in vertical wood siding that wraps onto the underside of an extensive roof overhang, which is supported by a family of Cor-Ten columns that acts as both structure and screen, evoking the rich texture and shadows of the tree line. Together, wood and steel render the house as part of the surrounding landscape.

Inside, the main living space is defined by an 11-foot high ceiling horizon and an open plan that flows around a freestanding utility box. The bedroom and garage wings are separated from the living space by white metal screens that extend the geometry of the exterior columns through the house. A simple and muted palette emphasizes the interior volumes, highlighted by a sequence of light wells and skylights.

Photography: James Brittain

Awards: 2018 Governor General’s Medal in Architecture ; 2017 Architectural Review House Awards shortlist