The iconic Guggenheim brand and the quiet confidence of the Finnish identity inspire an art gallery defined by an ethereal quality of light, space and material drawn directly from an understanding of place. The visible program is reduced into a highly charged timber form that claims the site for the city, but also distills its energy into a powerful point of gravity – iconic yet restrained, playful yet subtle, warm yet stoic. Set against the city or the harbour, the lush green of Tahtitorninmaki park in the summer or the bitter whiteout of winter, the wood structure becomes a beacon for visitors and locals alike.

The galleries rest under a civic blanket whose subtly undulated surface creates controlled ponding during and after rain, resulting in natural reflection pools. Below the plaza, the single level exhibition space provides a highly flexible and functional environment for art. A choreography of curated courtyards allows for precise filtering of light into the galleries, rendering each with a unique atmosphere and immersing visitors in a composition of dappled light and shadow. Inside the wood form, the gallery soars into an unexpected vertical volume where a movable floor takes on different programmatic identities – from performance hall to classroom to observation deck – depending on the level to which it is docked. Small apertures left between the stacked timbers modulate the delicate light that surrounds or emanates from within.

548 Stradbrook is an eight unit infill development in Winnipeg’s Osborne Village neighbourhood. Located on a mature residential street lined with turn-of-the-century homes, the building is wrapped in a reflective glass shroud that allows it to be camouflaged with its character-filled surroundings. The project responds to existing zoning setbacks and density constraints with a three-storey, compact form that contains six two-bedroom flats and two three-bedroom loft units.

The project’s cladding treatment draws direct inspiration from its historic context, reinterpreting traditional lap siding with a custom, shingled glass facade of reflective panels that are overlaid like fish scales both vertically and horizontally across the entire building. The mirror-like finish and subtle angling of the glass creates an ephemeral interplay of reflections and light during the day, and transforms the building into a glowing apparition at night. At the second floor level, a metal canopy wraps the building’s perimeter, supported by a colonnade of thin black columns that lightly touch the sidewalk below. Functionally, the canopy defines a front yard patio space and sheltered walking path for tenants. Aesthetically, the canopy provides a stable counterpoint and grounding element to balance the ever-changing nature of the glass facade above.

Photography: James Brittain

Award: 2015 Architizer A+ finalist

5468796 together with design advocacy group Storefront Manitoba celebrated the culmination of Winnipeg’s Architecture Fringe Festival and the 2014 Royal Architectural Institute of Canada’s Festival of Architecture on Saturday, May 31 by transforming the Esplanade Riel pedestrian bridge into a giant pop-up dining room and inviting guests to experience and discuss the power of architecture and design. The project is the culmination of 5468796’s Table for 12 – a nine-city series of intimate dining events that put the spotlight on architecture culture.

On this major civic landmark and against the backdrop of Winnipeg’s new Canadian Museum for Human Rights, the team joined together 150 tables of eight to create one continuous 1200 foot long dining table – making it one of the longest dining tables on record. Volunteer ”Table Captains” decorated their tables to a theme of their choice, competing for prize money for the best table setting. Diners from across Canada – including representatives from prominent institutions, the city government, arts organizations and the general public – were notified of the event’s secret location only hours prior to the dinner. Meals were provided by local chefs from RAW:almond (Mandel Hitzer from Deer + Almond and Joe Kalturnyk from RAW Gallery) along with Ben Kramer from Diversity Food Services.

Photography: Jacqueline Young (except Instagram grid)

As more and more people move around the globe, the issue of im/migration is more important than ever. In spite of humanity’s increased mobility, many countries are becoming less open to new im/migrants, with Canada remaining a notable exception.

Migrating Landscapes was selected by a national juried competition as Canada’s official entry at the 2012 Venice Biennale in Architecture. The project was curated by 5468796 Architecture + Jae-Sung Chon, who joined together to become the Migrating Landscapes Organizer (MLO).

Migrating Landscapes explores the settling-unsettling dynamic of im/migration, featuring 18 video narratives and architectural scale models of ‘dwellings’ designed by young architects/designers. The work was selected by a prestigious jury from a Canada-wide competition and displayed in regional exhibitions, organized and constructed by MLO.

MLO has designed a wooden exhibition infrastructure that acts as a conceptual landscape onto which each architectural dwelling is settled, with each model representing an act of first im/migration. The landscape is envisioned as a malleable grid mosaic – an abstraction of the physical, social, economic and political conditions that form Canada’s pluralistic cultural identity.

Photography: Lisa Stinner-Kun and Jacqueline Young

The Avenue on Portage revives two historic commercial buildings from the early 1900s located one block west of Winnipeg’s most famous corner, Portage and Main. Once major retail destinations in the city, the Avenue and Hample Buildings experienced a slow decline, becoming blights to the street and downtown. In 2010 our client purchased the site to develop the derelict properties into 75 rental apartments and 22,500 s.f. of commercial space.

A series of formally simple moves dramatically transform the original façades, shifting public perception of the buildings from eyesores to a unified urban landmark. Hovering above the sidewalk, steel balconies cantilever from existing window openings and provide outdoor access for residents. Clad in mirror-finish aluminum, the balconies become camouflaged against their surroundings, reflecting at turns the sky, the façade and the street below.

At street level a wall of glass folds back into the building to create a deep, V-shaped entrance that broadens the width of the sidewalk. Overhead, a faceted canopy angles outward 13 feet from the face of the Hample before returning to meet the edge of the Avenue, unifying the two façades. Together, these elements draw the city into the building’s expression, making it an active participant in the life of the street.

Photography: James Brittain unless noted.

Award: 2014 Prairie Design Award of Excellence

Sunspot, along with four other skating shelters designed by local and international architecture firms, was part of an exhibition of Warming Huts along the Forks River Trail in the winter of 2009. The event is now an annual celebration of art and architecture on ice.

The finished project is the result of a collaboration between 5468796 Architecture and Winnipeg-based artist Ewa Tarsia. The sphere is an extension of Ewa’s exploration of ‘dot’, a recurring theme in her recent work, as well as an interpretation of the ultimate source of heat – the sun.

The Sunspot hangs from the Forks’ Historic Rail Bridge, hovering just three feet above the frozen river. Composed of a structural frame coated in a skin of ice and coloured water, the interior is rendered with a vibrant and warm glow that evokes Tarsia’s painting plates. A large diameter opening at the bottom of the sphere allows skaters to enter and experience the transformed sky. The bottom ring provides a rope-wrapped bench to rest on, while the structure offers shelter from the wind.

‘The Cube’ is an open-air performance venue situated in Old Market Square, an iconic green space and summer festival hub in Winnipeg’s historic Exchange District. In 2009, 5468796 won an invited competition with a multi-functional design that throws out the old bandshell concept on the grounds that when a conventional stage is not in use it looks forlorn – especially through the city’s long winters.

A concrete structure enclosed by a flexible metal membrane, The Cube functions as a multipurpose environment. The membrane is composed of 20,000 identical hollow aluminum pieces strung together on aircraft cables. The orientation of the pieces alternates, forming a malleable and shimmering curtain that can stand like a wall, be pulled in to reveal the performance space, or function as a light-refracting surface – allowing it to morph into a projection screen, concert venue, shelter or sculptural object. When the stage is closed, the membrane’s diamond extrusions capture and refract internal lighting or projections to their outer surface, creating a unique pixel matrix for artists to appropriate at will.

Photography: James Brittain unless noted.

Awards: 2015 Premier’s Design Award of Excellence; 2014 Governor General’s Medal in Arch; 2014 Mies Crown Hall Prize | Shortlist; 2011 RAIC Award of Excellence; 2010 AR Award for Emerging Architecture

Bloc_10 strives to re-imagine and re-invent the market-driven condominium. Situated on the site of a former gas station, the developer wanted a modestly priced building designed and constructed within 12 months. The resulting three-storey, 10-unit condominium is modelled after a ‘white-box’ concept: each buyer purchases an unfinished unit with basic plumbing, heating and electrical systems installed, allowing them to decide which rooms and finishes they would like on each floor. 5468796 challenged traditional townhouse layouts with apartments that cross from one side of the building to the other as they ascend over three levels. This arrangement provides every unit with north and south views, and transforms eight into corner suites. To take advantage of the maximum allowable mass for the development, cantilevered projections expand rooms, create balconies and provide support for the screen of vertical wood slats that wraps the exterior. The screen provides each homeowner with privacy and shade, filtering surrounding views and creating a buffer against traffic noise. The screen’s sheer texture unifies the façade and gives Bloc_10 a distinctive identity within the neighbourhood.

Photography: James Brittain and Lisa Stinner-Kun

Awards: 2013 RAIC Award of Excellence; 2012 AR Emerging Architecture Award; 2012 Governor General’s Medal in Arch.; 2010 Canadian Architect Award of Excellence

youCUBE is an 18 unit housing development that explores the potential for density and affordability on a narrow, 264’ x 63’ urban lot. Located on the north end of Waterfront Drive, the project occupies a seemingly unremarkable site with limited visibility of the nearby river and neglected, industrial surroundings. With a modest budget and a background in custom home building, the developer needed a design that could be built using standard construction methods by residential contractors. In response, the project challenges conventional multi-family housing design with a modular and more affordable configuration of individual dwellings that goes beyond the brief to include extensive outdoor space and inspired architectural interiors.

The final composition clusters three and four storey townhouses together on an elevated plaza, which provides access to all of the suite entrances and shelters parking below. Each unit culminates in a rooftop patio with spectacular 360 degree vistas of the river and city skyline. Inside, the suites are defined by an architectural ‘wrap’, a design element that sculpts the interior into a fluid sequence of open plan rooms within a spacious, light-filled volume.

Photography: James Brittain

Awards: 2015 Premier’s Design Award of Merit; 2011 AR Future Projects Award | Commended; 2009 Canadian Architect Award of Merit

The Guertin Boatport is a two-storey, open-air floating dock and fixed boardwalk situated on Storm Bay in western Ontario. The main level provides two sheltered boat stalls while the upper floor serves as an informal lounge space and viewing deck. Occupying a permanent position along an isolated stretch of the shoreline, the boatport accommodates shifting site conditions in order to provide a year-round amenity for the client.

The project is composed of fragmented vertical planes clad in reflective materials that scatter and redirect light off the lake’s surface. Perforated metal walls protect against wind and filter views while still allowing for extended sightlines of the bay and the surrounding Canadian Shield.

The boatport is accessed by an extruded aluminum plank boardwalk that follows the profile of the rocky shore. Flexible, hinged joints accommodate the rise and fall of water levels, as well as the freeze and thaw cycles of ice. The structure consists of custom designed, cold-formed steel C-channels, pressure treated joists and composite decking. The upper deck is lowered around its edges to keep the lake view clear and unobstructed by the stainless steel cable guards.

Award: 2013 Architizer A+ Awards | Winner